Contents

This is a list of all the reports written so far, you can see a list of issues called but not yet reported here.

• How can we trust art organisations wanting to support independent artists/inventors
• Living off your art
• Making a Show about Carol Grimes with Carol Grimes...
• Let’s Have A Creche
• Is D and D a real community or a trade fair?
• On the value of doubt, reflection, uncertainty and...
• It’s gonna take years: On the virtue(s) of taking ...
• A Surprise
• Collaborating to share the dull stuff
• What do we want from a D&D website?
• Let’s help each other to tour work better / How ca...
• Theatre snobbery. Should theatre exclusively do wh...
• What should the creative response to climate chang...
• Entry points for older writers: How to find develo...
• I want to make a magical little place, does anybod...
• The politics of theatre/the theatre of politics: M...
• OUTSIDE – working slowly and collaboratively on “D...
• TOURING CONTINUED: A break-out session on co-produ...
• Can actors earn a living from theatre? (And is ‘mo...
• I’m sick of bleak theatre. Let’s have theatre of h...
• Why do more people* not do Ta-Ke-Ti-Na? (* partic...
• Please Share Your Best Procrastination/ Anti-Procr...
• What CAN’T we do that we really really need to?
• Taking theatre to the party- theatre and celebrati...
• Impro without cock jokes
• I want (to make?) a project which pays people to m...
• What does ‘Post-Internet’ theatre look like?
• Ashrams in India…how to be calm(ish)
• What are the ingredients for making high quality t...
• Just shut up and do it!: The writing of a manifest...
• What do you do when you find an “idea” you’ve been...
• # Where’s Shelley?
• Small, Brown and Stuck in Essex…Everyone’s Margina...
• Tell me you Devoted & Disgruntled success stories
• What new dialogue can we set up between people who...
• Is Theatre too Expensive?
• What about our neighbours? Let’s go travelling/lea...
• Tell me a story, or hear a story or read a story…
• What might be exciting about making work with/for ...
• Lyricists who want to meet composers (and vice ver...
• Do we need a more diverse pool of critics?
• Social Media! Screwed without it???
• You Know More Show Tunes Than You Think You Do. Mu...
• West Midlands Posse – I’m new in town; hello!
• Who Wants to Be My Husband?
• Integrating design in to the devising process. How...
• How do you make product/ production/ show out of a...
• The World Open Space on Open Space
• What makes a good venue?
• Theatre and Policy: How can theatre aid the making...
• Stepping Up – be brave, be great, it’s your choice...
• The evolution of the human species – Part 8
• Lunchtime Buddhist Chanting Meditation
• Is it time to de-centralize the Theatre Industry
• Science on Stage
• How can the “professional” world and the “fringe” ...
• Amateur to Professional: Mind The Gap
• Francis Bacon Performance Project
• Wrestling
• Working with Dickheads
• Physical Theatre with Older Actors
• Left Vs Right Talk?/ How to have a conversation wi...
• Funding and the value we place on the arts
• We’re all broken, aren’t we?
• Theatre Uncut 2012
• “I’m sure I could write something better than this...
• Coworking and collaboration in theatre and the art...
• How can we support playwrights better, whatever th...
• What is the best use if 50+ arts paper pushers for...
• Lone / surviving twin
• Defending the Arts is a fucked up starting point. ...
• I have a job interview on Tuesday, help me to be r...
• Technology was supposed to free us from the burden...
• Can we make a show around British folk tales/music...
• I Have a Baby. Help! / Parenting and Making Art
• How can artists run good businesses that earn them...
• Can Acting Make You Mentally Unwell
• Audience Agency in ‘Political’ Theatre in Rehearsa...
• Is Outdoor Theatre Indoor Theatres poor relation
• Spirit in the Circle
• Making solo work – especially that bit at the begi...
• I don’t want to be so bloody grumpy: help!
• Wanting to start a design-led theatre company – ar...
• Funky with Space – companies, artists promoters co...
• The Uncertainty Principle: How do I talk about wor...
• The inclusivity/diversity thing – why are women so...
• What is the point of Fringe Theatre
• Theatre for young people?
• WOMEN IN THEATRE
• Would any “phd people” like to hang out? We don’t ...
• Devising and Dementia
• autism friendly performances/theatre how can we ma...
• Queer Theatre & Performance Festival in London
• Mothers With Alzheimers
• How Do We Fill an Empty Building in Central London...
• its my birthday, if you feel like it, give me some...
• Is commitment the basis of creativity?: Freelancin...
• Being a Minority in Theatre
• How do we avoid stereotypes in political theatre?...
• How do local artists (& communities) benefit from ...
• all by myself (don’t want to be) independent produ...
• Points of Honour: What Are Yours?
• Theatre and religion – How do they work together?
• How can I persuade people who don’t already agree ...
• Who Wants to Make a Puppet Show with Mermaids!?
• Was Rowan Atkinson Right?
• I want to make a show about Alan Turing – Do you w...
• Writing Theatre Post Dramatic Approaches
• Do we need the RSC?
• The Poly, Falmouth needs an awesome general manage...
• SOTA 2013
• 700 dolls to bring peace to 7 billion people