Convener:
Guleraana Mir @g_ting
Participants:
Zooby, Steve M, Chris, Imogen (briefly) and another lady whose name I did not
catch- sorry.
Summary of
discussion, conclusions and/or recommendations:
Convener’s note- I chose Narnia as the place for the
session as I thought it would be a quirky play on the idea that Essex is a
little like Narnia. It proved to be a bit of a bad move as the area is secluded
and I was worried no one would show up. However, the destination attracted
attendees who were finding it difficult to hear and be heard in the main space
and a fruitful discussion arose from the circumstances.
We began by speaking about internal marginalizations
and how the labels/issues we give ourselves may differ from those that society
imposes upon us. I mentioned that I was interested in creating a piece of work
that dissected our perceptions of marginalization and allowed people to express
the way that our own ideals and desire oppress us.
Chris talked about an LGBT film he had worked on in
Suffolk, where the youth involved had chosen to turn stereotypes on their head.
We agreed that this was the kind of thing that works well in breaking down
barriers.
Steve offered a few examples of projects he had
participated in, including AIDS education in schools (which was inept) as well
as some of the prejudice he has encountered (even today) regarding his
sexuality.
The rise of prejudice in 2012 (after a seeming lull)
was discussed and I mentioned the EDL and how much hate from Brits I had
witnessed on twitter just a few days ago. We agreed that the system is once
again rife with hate and a question was posed-
How do we tackle it? THROUGH OUR WORK.
Why is hate rising again? Possibly fuelled by
politicians talking about immigration, unemployment etc. Group mentality is
overwhelming and we all believe that bad behaviours are learned behaviours.
Therefore, youth who hear racism at home or in school adopt those vicious
sentiments and continue to spread them…
It was offered that TIE is a useful way to tackle
difficult subjects as teachers are under pressure to reach targets/top league
tables and have no time to address humanitarian topics. Therefore dedicated
artists should take on the role of educating the youth about certain issues….
Vulnerability was a big word and the importance of creating a space where it is ok to
say, ‘that is really hurtful’. One has to be vulnerable and flag inappropriate
behaviour and language in order to change things.
Dialogue was another big word. We have to
allow the people who are angry about immigration (and other things) the
opportunity to ask questions and to learn about why things are the way they
are. If someone is uninformed you cannot expect them to understand that their
views are hurtful/wrong/outrageous. An idea that I simply adored was to allow
neighbours to converse and to understand why they don’t speak the same
language, how they ended up in this country and what they want out of their
life here. One shouldn’t have to justify themselves, but often, for the greater
good, it could be a good tool to strive for harmony.
In my
head I saw a play entitled “Mummy, why do our neighbours speak funny?” It may
have already been done (I’m sure I have heard that title before, but if anyone
is interested on embarking on a project like this with me, please do get in
touch- @g_ting).
Jeremy Deller was mentioned and we spoke a lot about
his body of work and how he started out as an artist. The concept of re-staging
and re-enacting significant events seemed to be a fruitful way of re-writing
common knowledge from the perspective of the other and could be used break down
barriers.
I was reminded of Pip- A Romany teenager who went
viral this week by writing an open letter to Channel 4 regarding their
‘documentary’ My Big Fat Gipsy Wedding. He disagreed with the way his community
was being represented and in fact said that it was being wholly unrepresented
in comparison to the Irish Traveller community. He wrote how he has been
bullied and attacked due to the negative connotations portrayed by the program.
If we encouraged people like Pip to create theatre/film/art in response to mainstream
programming then would we succeed in overturning stereotypes. Should
communities portrayed by every mainstream national mockumenary be given the
opportunity to produce a contrasting piece of art to allow the ‘real thruth’ to
shine through.
(I would happily watch that. And I can assure you that
not everyone in Essex lives for fake tans and vajazzles. There are parts which
live below the breadline.)
Community TV (an initiative started by Channel 4) was
mentioned as a example of this and someone else likened that process to
youtube. We can make programs, films, theatre and broadcast it ourselves,
setting in motion the change that we would like to see.
Other
People’s Shoes was mentioned by Zooby- a play for young people about
questioning your own ethnicity. The young people were asked afterwards- Where
do you get your information from (parents/TV)? And how do you question it?
Y Touring put on a play about bullying which allowed
students to text their thoughts to a character and the actor would incorporate
what he received into the action through improvisation. Private thoughts being
made public in a safe way. Isn’t this what we need?
A TV Channel in Romania allowed any and everyone to
enter the studio and broadcast. It made for supremely boring television. Thus
the realization emerged-
We have all the technology to say things, but need
someone to say them in a captivating and appealing way-
THE ARTISTS. Yes, it’s all down to us folks.
Sir Ken Robinson was briefly mentioned. I urge
everyone who has not seen his TED talk (Schools Kill Creativity) to do so.
Watch it once and then watch it again with the RSA illustrations. It changed my
life.
Imogen joined the conversation and stated, “This
country needs to be educated about its history” meaning colonization. It was
discussed how many citizens of the UK do not know about England colonizing the
Indian Subcontinent or even Ireland, which is so much closer to home. How much
does this lack of education contribute to the racist/extreme nationalist
sentiments floating around today? Could we alleviate some of the issues if we
only took the time to explain to our youth our history with other nations?
What would be helpful to organize all these ideas?
A list of good projects that have been implemented
throughout the UK so that other practitioners can emulate them.
As we had spoken a lot about working with school
groups in order to change views before it’s too late. It was stated that taking
youth out of the school environment is more transformative as it strips away
the ‘group mentality’ and cleanses all the tediousness associated with the
classroom.
Rod Dickinson was bigged up and I just thought I
should mention that as it may help alleviate his grumpiness.
Thank you to all who participated in this session.
If you have ideas about devising colonial history
workshops to work towards understanding and educating people (youth) about the
state of the UK (and immigration today), I would love to hear from you.
Guleraana :)
Hi,
ReplyDeleteFirstly, I wrote 'Other People's Shoes'. A collaboration between Spare Tyre and Theatre Royal Stratford East. We worked with tong people to create stories about refugee, LGBT and disabled people's experiences. Happy to see a revival and thanks Zooby for remembering it!
Secondly, Rod is great as is Red Ladder, but his surname is Dixon.
Lots of love,
Danny
Dannybaverman@me.com