Convener: Susanna Davies-Crook
Participants: Anon. – at various stages included Tom Ross Williams, Tassos
Stevens, Matt Trueman, Amy Letman, Hannah Nicklin and more
Summary of discussion, conclusions and/or
recommendations:
How theatre and performance practices are changing in an
emergent age of digital nativity.
How technology is used in theatre
What a ‘post-medium’ condition could equate to in theatre
How character is used
How narrative changes across networked experience
The fear of losing the site of the theatre or the durational
performative experience
Changing forms
The importance of live experience
Can you have theatre if it is just one participant experiencing
something through the screen
Short sharp bursts of theatre or experience as equivalent to
short sharp bursts of information on the Internet
Questions of access to the net
Timelines
Bombardment of narratives and information that the internet
allows and how this changes artistic and writing practices
The difference in experience and intention of maker and
audience
Dries Verhoeven (sp?)
Tim Etchells
SMS spectacular
Blast Theory
Rythmss
Coney
“Rules of Play” – book
gaming as a way of accessing fragmented narrative devices
and self-emergent or self-organising narratives
How can theatre expose the characteristics of the network or
machine – ghost in the machine
Rosa Menkman – glitch
Psycho-digital
Real / not real
Matt Locke
Character vs Roleplay
User-journey access
Deborah Pearson -
narrative in the internet age
Not using tech as a bolt on but it being irrevocably
intrinsic to the creation and presentation of the work
Orange Tree performance
Grabbing attention, shifting audience attentions,
overwhelming them
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